Read our field test of the Canon EOS R. Interested in the Canon EOS R? Check it out on B&H! THIS is the reason why you are going to buy a Sony. The camera is capable of making 60 AF/AE tracking calculations per second and able to shoot at 20 fps continuously for up to 241 RAW or 362 JPG images at the camera’s full resolution in a single burst. Especially if Animal-eye AF actually turns out to work well...I will get to experiment with the new tracking modes and Animal AF on the A9 first but unfortunately that probably won't be an accurate representation of the A6400's AF. Interested in the Canon EOS-1D X Mark II? It was the first Sony camera to introduce Real-time Eye AF, and recently added Real-time Eye AF for animals via Firmware Update 2 (also available now on the a7 III with Firmware Update 3 for that camera). Sony a6400. Based around a 24.2MP APS-C Exmor CMOS Sensor, the A6400 features much improved AF performance, which utilises a hybrid AF system and has a top-of … It’s an upgrade in other respects, too, with faster continuous shooting and higher resolution. Pair it with the new Sony FE 200-600mm F5.6-6.3 G OSS for an equivalent focal length range of 300-900mm, and add a 2x teleconverter for a remarkable 600-1800mm telephoto. Another Micro Four Thirds option for wildlife work is the Panasonic LUMIX GH5. Interested in the Sony a99 Mark II? Real-time Eye AF for Animals was also added to the a7R III and a7 III through firmware updates, and though at the time of this writing the technology is officially limited to domestic animals, we expect to see the system become more sophisticated and capable of recognizing a wide variety of wildlife in the not too distant future. It would be nice to have IBIS, but the 100-400 has stabilization built into the lens. At a reduced resolution of 16.6 MP, it can capture up to 30 fps with its electronic shutter. The latter, though, is particularly beneficial for videographers. For a different look at color photography, try these shooting and processing tips using infrared digital capture. Also noteworthy is the system’s ability to function in low-light conditions down to -6 EV (depending on the lens used) and at apertures as small as ƒ/11 equivalent, meaning that that the AF system can support, for example, an EF 100–400mm f/4–5.6 IS II lens with a 2x teleconverter attached. What is the actual performance of Sony a6400 for birds in … Sony is light years above any other camera company with their focusing system. Pro wildlife photographer Melissa Groo recommends 8 fps as a minimum continuous shooting rate, a spec which all of the cameras in this article meet or exceed. The latter can be increased to 11 fps when using the optional Vertical Power Booster Grip VPB-XH1, which also extends shooting time to about 900 still frames. Of the three Panasonic S series cameras introduced so far, it’s the best for wildlife. That's no longer true today, but it's still a great system. Otherwise, it may be more effective to simply use the center AF point, lock focus and then compose, or for stationary wildlife, to activate the AF point over the animal’s eye that’s nearest to the camera. For more info, read our review of the Sony a9, and “Wild By Nature” columnist Melissa Groo’s impressions. Today, there’s a much wider range of cameras that can meet the needs of wildlife photographers, including mirrorless systems that have some advantages over traditional DSLRs. While ulta-fast continuous capture rates aren’t absolutely critical for most wildlife photography, they’re certainly beneficial. For bloggers, vloggers and independent content creators, the Sony A6400 is a dream. Depending on your photographic style, the end use of your images and your budget for equipment, there are many terrific cameras—both DSLR and mirrorless—that are up to the challenge of wildlife photography. While cameras with focus-tracking capabilities can greatly enhance your chances of success, they’re not infallible, so it’s good to be able to fall back to basic technique and an understanding of your camera’s available settings. This camera will work so much better. cont. If you’re looking for the lightest camera you can get your hands on, then the Sony a6400 is the better choice. Like the OM-D E-M1 Mark II, as a Micro Four Thirds sensor camera, the focal length of lenses attached to the OM-D E-M1X are effectively magnified 2x, meaning that the Olympus M.ZUIKO ED 300MM F4.0 IS PRO is equivalent to a 600mm lens, but considerably smaller and lighter than the 600mm primes for full-frame cameras. At the time of launch in 2019, it had the best auto-focusing that Sony offered on any of their cameras, including the much more expensive full-frame models. That latter option will be particularly advantageous for telephoto wildlife work because, while it does produce a lower-resolution image, it’s incredibly fast, silent and the DX mode crop means your focal length equivalent is magnified by 1.5x. Yes, it will work fine. Though it’s not quite as fast as the D5, it’s still very speedy at its max rate of 10 fps. That appears to be the concensus. Your lens also has a significant impact on autofocus performance. Mirrorless cameras like Sony’s a9 offer faster-than-DSLR continuous shooting speeds, plus totally silent operation, a decided advantage when you’re trying not to disturb your subject. On Tuesday, Sony announced two new 600mm lenses: a 600mm f/4 prime aimed at pro sports and wildlife photographers, and a much more affordable Sony 200-600mm f/5.6-6.3 which is certain to appeal to a much broader audience. He was demonstrating a6400 for action and running dogs. Check it out on B&H! With the popularity of Sony’s E-mount mirrorless cameras, we were pleasantly surprised when it updated the A-mount a99 to Mark II in late 2016. While not a definitive list, these models are excellent options from their respective makers. Spectacular hues and wildlife sightings make the Jackson Hole area a delightful destination in autumn. Check it out on B&H! While the full-frame Sony a9 is in many ways the ultimate wildlife camera, don’t count out the APS-C sensor a6400 introduced this year. It can capture at 11 fps with full AF/AE tracking when shooting with the mechanical shutter, or up to 8 fps when shooting in silent mode with the electronic shutter. With no concrete info on a possible top of the line apsc camera, would anyone consider using the a6400 with the improved autofocus for the extra 1.5x crop reach with the 100-400? Battery life remains a key advantage for DSLRs, but overall, the performance gaps between DSLR and mirrorless cameras have closed. For example, the Olympus M.ZUIKO ED 300MM F4.0 IS PRO is equivalent to a 600mm prime on a full-frame camera—but at 3.7 inches in diameter, 8.9 inches in length and 2.8 pounds, this lens is just a little over half the size and more than 60 percent lighter than the AF-S NIKKOR 600mm f/4E FL ED VR (6.5-inch diameter, 17 inches in length and 8.4 pounds). system. They also cost a lot more, and are much larger and heavier—but that’s the price of superior performance. It offers massive 45.7 MP stills and can capture 7 fps at that full resolution, or up to 9 fps with the optional MB-D18 Multi Power Battery Pack. Used the 6500 with a 70-300 (prior to release of the 100-400) in Kenya and got very acceptable results. That’s impressive, because the Mark II also nearly doubles the resolution of its predecessor (42.4-megapixel versus 24.3-megapixel). It can shoot at speeds up to 14 fps with its electronic shutter, or 8 fps with its mechanical shutter. Nikon’s system includes a robust range of premium telephoto lenses and teleconverters, making this camera another top choice of wildlife photography pros. Check it out on B&H! Stay up to date on all the latest photography gear! Initially released spring 2019, it’s Sony’s unofficially testing bed for their latent firmware prowess. Though not as fast as the a9, the 24.2-megapixel full-frame a7 III is still quite capable for wildlife work, with a max continuous shooting rate of 10 fps in both mechanical and electronic shutter modes.The a7 III’s autofocus system has 425 contrast AF points and 693 focal-plane phase detection points that cover 93 percent of the image frame, the same system used in the Sony a9. However, if you use a teleconverter to extend your focal length, you’re also reducing the effective maximum aperture of your lens—the stronger the teleconverter’s strength, the greater this reduction—making an AF system that’s compatible with apertures as small as ƒ/8 preferable for telephoto work. Check it out on B&H! It can capture 12 fps using the viewfinder or 14 fps with the mirror locked up. It also features the same level of weather sealing as the pro model D810, and though less than the D5’s astronomical ISO max, offers a remarkable ISO range, expandable to 1,640,000. AF area: … So I have a chance to change. Cross-type points provide additional information to the AF processor and, therefore, improved accuracy. For best image quality, it’s always preferable to set lower ISOs, but wildlife photography often means shooting in low-light conditions near dawn and dusk when higher ISOs are needed. Learn more about working with extreme telephoto lenses for wildlife photography. Check it out on Amazon! Except for bif you can use burst mode with mid setting and the smaller buffer should work fine. Sony’s a6000, a6300, a6400, and a6500 cameras are among the best cameras for just about any kind of travel. The A6400 is Sony's sub-£$1000 interchangeable camera, and is well-specced enough to be a more sensible choice than the flagship A6600. • Sony A6000 vs A6100 vs A6300 vs A6400 vs A6500 vs A6600. Like Chez said, this won't prevent me from using the A6400 for still photography. It was the first Sony camera to introduce Real-time Eye AF, and recently added Real-time Eye AF for animals via Firmware Update 2 (also available now on the a7 III with Firmware Update 3 for that camera). Grizzly bear photography with the Nikon D850 and the 200 - 400 lens. I'd go to the G9(my wife has it) if it wasn't for the contrast detect AF as it can be frustrating trying to find and keep focus. Compared to the previous a7 II model, the a7 III is nearly twice as fast focusing in low-light and when tracking subjects. I would consider it if I don't hear about an "A7000" by end of 2019. Interested in the Sony a9? The AF on the a6400 must be dramatically improved compared to the early days with the a6000 and now with the GM 100-400 would make for a pretty capable kit if other options like the A7x or A9 are not possible. When selecting a camera, also consider the telephoto lenses and teleconverters available for the models you’re evaluating.
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